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Mandarin expression

Jewelry designers from the Land of the Red Dragon are gaining esteem worldwide. Here are four making headway in the US market, and what you need to know about them.

By Jennifer Heebner


Green G.

   Already a team in marriage, Sabina Lee and Paul Tsang joined business forces in 1997 to debut Green G. With her merchandising skills and his management experience, they built a Hong Kong-based jewelry firm with a signature of impressionist-inspired florals and Asian culture. Their new Monet collection recalls the 19th-century painter, and their Shangri-La ring, based on the fictional Chinese city, is encrusted with gemstone blooms. A Chinese poem influenced their Love Tree ring — an intertwined black-and-white design “signifying the image of cosmopolitan Hong Kong,” according to Lee.
   She sketches designs that seasoned craftsmen in Hong Kong and China then bring to life in 18-karat gold, diamonds and gemstones. Her work has earned praise from the Hong Kong Trade Development Council, which has consistently promoted her jewelry to consumers “every year since the year I launched my brand,” she relates.
  • Starting retail price: $1,000
  • Accounts: 10 in the United States, including Herkner Jewelers in Grand Rapids, Michigan
  • Trade fairs: The Hong Kong International Jewellery Show, JCK Las Vegas, and the Hong Kong Jewellery & Gem Fair
  • Retailer buy-in: None
  • Contact: Paul Tsang, Hong Kong
  • (852) 2824-6128; paul@greengjewelry.com
  • Wendy Yue
       Wendy Yue opened her eponymous design firm in Hong Kong in 2008 after ghost-designing for others for two decades. European travel at an early age and subsequent sketching to keep memories alive ultimately paved the way for her career; to recreate destinations, she made jewels in vivid color. Her aesthetic today speaks to many of those remembrances, along with her heritage. Storytelling is a goal; pieces in her Pagoda and Lantern collections resemble temples from childhood, while her use of black and white represents the bright city lights and calm night sky of Hong Kong. 
       “Recurring symbols include frogs, pagodas, monkeys and snakes — all of which have deeply rooted Chinese symbolism,” she days. Pieces are made in 18-karat gold with a wide variety of gems, including turquoise and malachite. Her mantra? Pieces have destined owners. “What you look for at the end of the day is the connection between the wearer and the piece,” she explains.
  • Starting retail price: $6,000 
  • Accounts: 20 in the United States, including Ikram in Chicago, Illinois
  • Trade fairs: Couture and the Hong Kong Jewellery & Gem Fair
  • Retailer buy-in: A minimum of 12 pieces
  • Contact: Wendy Yue, New York City
  • (646) 603-6946; yozora@wendyyue.com
  • Yewn
       One-time student of French culture Dickson Yewn redirected his energy into jewelry studies at New York’s Fashion Institute of Technology (FIT) and became a designer. Yewn founded his namesake outfit in 2000 in Hong Kong, unveiling a contemporary Chinese vibe rich in cultural symbols such as longevity locks, bats and lucky clouds. Most notable are his square-shaped rings in wood and 18-karat gold, featuring auspicious motifs and Chinese architectural designs like lattice. 
       He spurns the “commercial style” of many Chinese makers, instead creating styles “in tune with China’s 5,000-year arts-and-crafts evolution,” he says. “Most designers who are from Hong Kong and China seem to have amnesia of their own cultural background.” Pieces are made in China, Thailand and Europe with diamonds, pearls, jadeite and other precious stones.
  • Starting retail price: $1,920
  • Accounts: Two in the United States, including Aman Jewelers in Corpus Christi and Victoria, Texas
  • Trade fairs: Brafa Art Fair, Contemporary Art Fair Zurich, Asia Contemporary Art Show, Asia Week Hong Kong, Asia Week of New York, Asian Art in London, and Fine Art Asia
  • Retailer buy-in: 10 pieces
  • Contact: Dickson Yewn, Hong Kong
  • (852) 2868-3890; info@yewn.com
  • Qeelin (Kering)
       After training at the Hong Kong Polytechnic University and under product designer Ken K. Shimasaki, Dennis Chan debuted Qeelin (now part of Paris-based luxury group Kering) in 2004. Chan’s declared goal: To “bring the best of contemporary Chinese design to the world.” His first collection, dubbed Wulu, is a nod to the lucky number eight, a shape that also evokes the legendary Chinese tale of the wulu, or gourd — “an auspicious emblem in Chinese tradition,” Chan says. 
       More symbolism is evident in his Bo Bo, or panda, collection and his Yu Yi jewelry, which represents a symbol of protection. Even the name Qeelin has meaning: It relates to Qilin, “a Chinese mythical animal and icon of love,” explains Chan, who has won honors from the Singapore Design Awards, among others. The pieces are made in Europe and Asia from 18-karat gold with diamonds and other gems. “Qeelin has embraced the evocative myths of the East…to deliver a beguiling combination of poise, playfulness, imaginative whimsy and enchanting oriental beauty,” says Chan.
  • Starting retail price: $1,270
  • Accounts: 10 US outlets, including Reinhold Jewelers in San Juan, Puerto Rico
  • Trade fairs: Couture
  • Retailer buy-in: $100,000
  • Contact: Qeelin at the Anima Group, NYC
  • (800) 868-5533; info@anima-group.com


  • Image (left to right): Green G.; Wendy Yue; Yewn; Qeelin (Kering)

    Article from the Rapaport Magazine - September 2017. To subscribe click here.

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